淺談內心聽(tīng)覺(jué)在鋼琴演奏中的培養

畢業(yè)論文

摘   要

音樂(lè )領(lǐng)域中的內心聽(tīng)覺(jué)，越來(lái)越受到人們的關(guān)注與重視。本文從內心聽(tīng)覺(jué)的特征開(kāi)始論述，分析內心聽(tīng)覺(jué)在鋼琴演奏中形成的心理過(guò)程及具體表現，闡述了內心聽(tīng)覺(jué)在鋼琴演奏中發(fā)揮的作用。本文著(zhù)重論述了內心聽(tīng)覺(jué)如何在鋼琴演奏中培養出來(lái)，揭示了內心聽(tīng)覺(jué)在鋼琴演奏中的重要性，通過(guò)論述鋼琴演奏中內心聽(tīng)覺(jué)的心理活動(dòng)和訓練方法，有助于鋼琴演奏的學(xué)習者在實(shí)踐中借鑒和發(fā)揮內心聽(tīng)覺(jué)的作用。
    關(guān)鍵詞：內心聽(tīng)覺(jué)；鋼琴演奏；聽(tīng)覺(jué)意象

ABSTRACT

Inner hearing period in music is more and more cared and concerned by people. According to the characteristics of the inner hearing, with the analysis of mental process and concrete behavior of inner hearing being produced in the piano performance, this thesis expound the positive function of inner hearing in the piano performance. The thesis put the emphasis on the cultivation of inner hearing and points out the great importance of inner hearing in the piano performance. Through the discussion of the mental action and training method, help to study and exert the function of inner hearing in the practice for the learner of piano performance.
Key words: The mental of hearing; Piano performance; image of hearing sense

 

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