中國當代水墨人物畫(huà)初探

畢業(yè)論文

摘  要

    中國當代水墨人物畫(huà)是傳統水墨人物畫(huà)的發(fā)展和延伸，起源于210世紀810年代，其探索中通過(guò)打破傳統繪畫(huà)的布局格式，追求筆墨形態(tài)的多樣性，表現題材的廣泛性等來(lái)表現自己的審美意蘊。在“筆墨當隨時(shí)代”的藝術(shù)理念中，當代水墨人物畫(huà)如何緊跟時(shí)代潮流，很多中青年畫(huà)家做了辛勤的學(xué)理探索和創(chuàng )作積累，并且已經(jīng)初見(jiàn)成效。人物畫(huà)在寫(xiě)生實(shí)踐中努力嘗試這些原則，必將水墨人物畫(huà)推向1個(gè)新的高度，從而豐富人物畫(huà)藝術(shù)的創(chuàng )作。
    關(guān)鍵詞：水墨；人物畫(huà)；實(shí)驗；繪畫(huà)

ABSTRACT

    The current washing painting of figures develops and extends the traditional washing painting of figures. It appears in 1980s. The current washing painting of figures expresses aesthetics connotation by break the structure and form of traditional painting, the diversity styles of brushstrokes and varies themes. How does current washing painting of figures cater to the fashion in the conception of brushstrokes match times? Many young painters has made progress in this filed by study theories and practices. Washing painting of figures will reach a new highness, because painters try the rules in the practice of figure painting. There will be more and more figures paintings.
    Key words: washing; figure painting; practice; painting

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